August 12, 2023
Hyouka
Clint Eastwood defined the essence of the role in Sergio Leone's spaghetti westerns. A lone rider with no ties and no dependents and little interest in the human condition, the "Man with No Name" is an unapologetic misanthrope who, despite himself, ends up doing right by his fellow man.
A Fistful of Dollars and For a Few Dollars More were based on characters created by Akira Kurosawa and Toshiro Mifune for the equally iconic chanbara films Yojimbo and Sanjuro.
Manga and anime embraced the trope, often adding a sidekick (a gregarious Watson to his taciturn Sherlock) and spirited girl with a cause or quest of her own. The relationship between the "wandering swordsman" Himura Kenshin and Kaoru Kamiya in Rurouni Kenshin is a case in point.
Such pairings became a staple of the romantic dramedy, perhaps no better exemplified than in Clannad. When we first meet him, Tomoya (Yuichi Nakamura) is a senior in high school. Cynical and aloof (not without his reasons), he proudly wears the label of "class delinquent."
The first day of school (one of those halcyon days in early April), he runs into Nagisa and his whole life changes. Not because he falls for her (that takes two dozen episodes) but because she presents him with a problem to solve. Solving the problem is what brings them together.
Hyouka follows a similar formula with equally outstanding results. That includes again casting Yuichi Nakamura in the lead and again pairing him with Daisuke Sakaguchi, who played his sidekick in Clannad.
Unlike Tomoya, Hotaro Oreki has no "troubled past." His goal is to get through high school with the least possible social involvement, expending as little energy as possible. That goal is frustrated when his older sister insists that he join the soon-to-be defunct "Classic Literature Club."
He shows up for the first club meeting to find one other person there, Eru (Elle) Chitanda, scion of one of the wealthiest families in town. The story, though, avoids the "poor little rich girl" meme and instead begins with series of one-off Encylopedia Brown type mysteries.
As it turns out, Hotaro is really good at solving puzzles. This realization prompts Eru to present him with an unresolved family scandal. Along with Satoshi (his childhood friend) and Mayaka (the student librarian), they tackle the curious fate of Eru's uncle.
Her uncle helmed the Classic Literature Club forty years before, until he was expelled from school under questionable circumstances. Hotaro ends up expending a whole lot of energy figuring out why.
Hyouka is the title of the literary anthology the club publishes every year. It becomes the most revealing clue of all. "A dumb joke," Hotaro mutters when he figures it out, and exactly the kind of dumb joke a wronged teenager with a literary bent would come up with.
The author of the series, Honobu Yonezawa, includes an additional twist in the opening and closing credits with his punning alternate titles to the stories, such as "The Niece of Time." I got that one. I had to google "Why Didn't They Ask Eba [Evans]?" to get the Agatha Christie reference.
The ED for the second cour is a delightful tribute to the "cozy" genre that could constitute an episode all on its own.
The ED for the first cour, on the other hand, is simply surreal.
Some episodes are straightforward head-scratchers, even so basic a matter as why a teacher messed up his lesson plan (which begins with a debate of why some people have shorter tempers than others, which leads to discussion of the seven deadly sins, which leads to Eru's version of "greed is good").
And then the film club sets out to make a murder mystery video for their class project. In the middle of the shoot, the girl writing the script quits. So the film club turns to Classic Literature Club to figure out how she intended to finish it, which means solving the mystery she started.
No sooner has he done that but Hotaro finds himself wrestling with issues of artistic integrity and authorial intent. These themes also arise in a surprisingly complex arc in the second cour that begins with a harmless prank and concludes with a meditation about creativity and talent.
These slice-of-life whodunits often involve no crime at all. The real mystery is human nature and why Eru can so easily knock the otherwise cool Hotaro for a loop. Sensing that "the game is afoot," she is bound to exclaim, "Ki ni narimasu!" (I'm curious!) and will not relent. Alas, he cannot resist.
Here Kaname Naito explains the grammar of the expression.
Hyouka gives us Kyoto Animation at its finest, and more stellar work from the talented and productive Yasuhiro Takemoto. His previous directorial projects include Amagi Brilliant Park, Full Metal Panic? Fumoffu, Miss Kobayashi's Dragon Maid, and The Melancholy Of Haruhi Suzumiya.
Honobu Yonezawa wrote five novels and half a dozen short stores in the "Classic Literature Club" series, which have been adapted to 11 manga volumes, 22 anime episodes (plus an OVA), and a 2017 live-action film.
Hyouka is streaming on Crunchyroll.
Manga and anime embraced the trope, often adding a sidekick (a gregarious Watson to his taciturn Sherlock) and spirited girl with a cause or quest of her own. The relationship between the "wandering swordsman" Himura Kenshin and Kaoru Kamiya in Rurouni Kenshin is a case in point.
Such pairings became a staple of the romantic dramedy, perhaps no better exemplified than in Clannad. When we first meet him, Tomoya (Yuichi Nakamura) is a senior in high school. Cynical and aloof (not without his reasons), he proudly wears the label of "class delinquent."
The first day of school (one of those halcyon days in early April), he runs into Nagisa and his whole life changes. Not because he falls for her (that takes two dozen episodes) but because she presents him with a problem to solve. Solving the problem is what brings them together.
Hyouka follows a similar formula with equally outstanding results. That includes again casting Yuichi Nakamura in the lead and again pairing him with Daisuke Sakaguchi, who played his sidekick in Clannad.
Unlike Tomoya, Hotaro Oreki has no "troubled past." His goal is to get through high school with the least possible social involvement, expending as little energy as possible. That goal is frustrated when his older sister insists that he join the soon-to-be defunct "Classic Literature Club."
He shows up for the first club meeting to find one other person there, Eru (Elle) Chitanda, scion of one of the wealthiest families in town. The story, though, avoids the "poor little rich girl" meme and instead begins with series of one-off Encylopedia Brown type mysteries.
As it turns out, Hotaro is really good at solving puzzles. This realization prompts Eru to present him with an unresolved family scandal. Along with Satoshi (his childhood friend) and Mayaka (the student librarian), they tackle the curious fate of Eru's uncle.
Her uncle helmed the Classic Literature Club forty years before, until he was expelled from school under questionable circumstances. Hotaro ends up expending a whole lot of energy figuring out why.
Hyouka is the title of the literary anthology the club publishes every year. It becomes the most revealing clue of all. "A dumb joke," Hotaro mutters when he figures it out, and exactly the kind of dumb joke a wronged teenager with a literary bent would come up with.
The author of the series, Honobu Yonezawa, includes an additional twist in the opening and closing credits with his punning alternate titles to the stories, such as "The Niece of Time." I got that one. I had to google "Why Didn't They Ask Eba [Evans]?" to get the Agatha Christie reference.
The ED for the second cour is a delightful tribute to the "cozy" genre that could constitute an episode all on its own.
The ED for the first cour, on the other hand, is simply surreal.
Some episodes are straightforward head-scratchers, even so basic a matter as why a teacher messed up his lesson plan (which begins with a debate of why some people have shorter tempers than others, which leads to discussion of the seven deadly sins, which leads to Eru's version of "greed is good").
And then the film club sets out to make a murder mystery video for their class project. In the middle of the shoot, the girl writing the script quits. So the film club turns to Classic Literature Club to figure out how she intended to finish it, which means solving the mystery she started.
No sooner has he done that but Hotaro finds himself wrestling with issues of artistic integrity and authorial intent. These themes also arise in a surprisingly complex arc in the second cour that begins with a harmless prank and concludes with a meditation about creativity and talent.
These slice-of-life whodunits often involve no crime at all. The real mystery is human nature and why Eru can so easily knock the otherwise cool Hotaro for a loop. Sensing that "the game is afoot," she is bound to exclaim, "Ki ni narimasu!" (I'm curious!) and will not relent. Alas, he cannot resist.
Here Kaname Naito explains the grammar of the expression.
Hyouka gives us Kyoto Animation at its finest, and more stellar work from the talented and productive Yasuhiro Takemoto. His previous directorial projects include Amagi Brilliant Park, Full Metal Panic? Fumoffu, Miss Kobayashi's Dragon Maid, and The Melancholy Of Haruhi Suzumiya.
Honobu Yonezawa wrote five novels and half a dozen short stores in the "Classic Literature Club" series, which have been adapted to 11 manga volumes, 22 anime episodes (plus an OVA), and a 2017 live-action film.
Hyouka is streaming on Crunchyroll.
Labels: anime, anime reviews, book reviews, japan, kyoani, mystery
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