A scene in episode five of Spy x Family makes use of a reel-to-reel video tape recorder sitting under the television in the living room. At first, I was sure it was an anachronism. But a little research revealed that the technology existed in the 1960s when the series takes place.

Sony introduced the CV-2000 video tape recorder (VTR) in 1965 as part of its home electronics line. At the time, the CV-2000 retailed for $695. Adjusted for inflation, that'd be $7000 today. I'm sure Lloyd put it on his expense account (which his handler complains about).

In Japan, the initialism VTR is still used to refer to prerecorded video content on broadcast television (even though it's all digital by now).

Labels: anime, business, history, japanese culture, japanese tv, tech history, technology, television

If you needed a reason to get a Crunchyroll premium subscription, Spy x Family is it.

If nothing else, Spy x Family is a great homage to classic spy series from the Cold War era like Get Smart, It Takes a Thief, Mission: Impossible, The Man from U.N.C.L.E., I Spy, and The Saint (in which Roger Moore plays a better James Bond than when he was cast as James Bond).

You know, back in the good old days when we could safely assume that democracies were superior to autocracies and the good guys acted on behalf of the greater good.

In Spy x Family, the European setting is roughly based on East and West Germany during the 1960s, though this East Germany is economically freer and more politically turbulent than that East Germany. A better comparison might be Taiwan and post-1997 Hong Kong.

Operating under the code name Twilight, super spy Lloyd Forger has been tasked with establishing a diplomatic back channel with reclusive party leader Donovan Desmond. Desmond's sons attend Eden Academy, so Forger's handlers conclude that the best cover story is for Forger to enroll his child at the academy.

To do that he will need a child. And a wife. And a dog. A family, in other words.

He rescues Anya from a shady orphanage and arranges a paper marriage with Yor Briar, who has reasons of her own to shed her single status. What Forger doesn't know is that Anya is a telepath and Yor is a professional assassin. And the dog can see the future, except only Anya can communicate with him.

Because of her psychic powers, Anya is privy to the secret lives of her pretend parents, though this knowledge is filtered through the eyes of a precocious six-year-old child (who is probably five but said she was six because she knew that's what Lloyd wanted and was desperate to get out of the orphanage).

As far as Anya is concerned, her top priority is keeping the family together, as fake as it may be, while helping Lloyd complete his mission. And while Lloyd and Yor are always telling themselves they'll go their separate ways, they find themselves growing increasing comfortable with their artificial family life.

There are additional sitcom complications, such as Yor's younger brother being a member of the State Security Service (the equivalent of the Stasi). While Yuri is aware that a foreign agent named Twilight is in the country, he is is too flustered by Lloyd's marriage to his sister to realize that he's right under his nose.

Yuri is equally unaware of his sister's sinister side job. Undoubtedly one of those siloed need-to-know things.

Directors Kazuhiro Furuhashi and Takahiro Harada deftly walk a thin line, keeping the tone of the story simultaneously smart and silly without being stupid. Lloyd's side missions are quite thrilling in their own right too.

If we could go back in time, the perfect cast for a live-action version would be Dick Van Dyke and Mary Tyler Moore as Rob and Laura Petrie from The Dick Van Dyke Show. I'd love to seem them play against type and switch on a dime from normal (if somewhat goofy) middle-class parents to steely-eyed operatives.

The difference between the two leads is that Yor naturally defaults to Laura Petrie mode. For her, assassin really is just a side gig. Switching out of full-time spy mode is more difficult for Lloyd.

The second half of the second season reverses the roles. Yor is sent on a mission that constantly throws her into precarious situations that call on her talents as a cool and competent cutthroat killer. In her absence, Lloyd has to figure out how to be a full-time father figure.

In the universe of secret superheros, the controlling half of the dual personality—Clark Kent or Superman, Bruce Wayne or Batman—will ultimately determine the direction of the narrative. For Bruce Banner and the Hulk, the conflict arises out of the irradicable nature of the struggle.

This is the question that Lloyd will ultimately have to answer. The decision would end the show in its current form, but given such wonderful characters, I would very much like to see how our family of spies adapts after the Berlin Wall falls.

Spy x Family is a well-crafted series where the long arc of the show can be stretched out without frustrating the audience, allowing the writer and director to get creative with one-and-done episodic plots. Exactly what former network executive Paul Chato identifies as the recipe for a successful television series.

Crunchyroll has both seasons of Spy x Family and Spy x Family: Code White. Tubi has five seasons of The Dick Van Dyke Show and six seasons of The Saint.

Labels: anime, anime reviews, business, crunchyroll, geography, politics, streaming, television reviews

It's 1995 and Donna Howard is living an ordinary life in Portland, Maine. She works as a hairdresser, has a boring boyfriend, two opinionated brothers, and two exhaustively energetic parents. As far as she's concerned, she's an ordinary person and proud of it.

Except she can see the past. Walk down any street in the old part of the city and four centuries of its inhabitants walk right along with her. She can observe them, hear them, smell them. And, frankly, she'd rather not. She'd prefer to leave the past in the past.

Until a customer "accidentally" leaves an ancient Roman coin at the hair salon. A coin worth an awful lot of money. Then the woman appraising the coin for the Portland Museum of Art "accidentally" ends up dead. And now the past won't leave her alone.

Not even the man who's visage was molded into the metal 2000 years ago, a man who wreaked mayhem then and may have witnessed murder now. Quite unwittingly, Donna uncovers family secrets, confronts historical controversies, and closes in on a very contemporary crime.

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

Kindle
Paperback
ePub
Read an excerpt

Donna Howard Mysteries

Coin
Silver Spoon
Apron
Clasp

Labels: books, coin, donna howard, ebooks, kate, kindle, mystery, peaks island press, publishing

Tubi has anime and Kdrama channels but nothing specific to Jdrama. Tubi doesn't have language filters either, so the only way to sift through Tubi's catalog, aside from third-party sites like Reelgood, is to look up specific titles, actors, and directors, or do global searches for Japan and Japanese.

Even there, the Tubi search engine is fuzzy, so the hits will be all over the map and may have nothing to do with Japan. And because Tubi licenses just about anything as long as it's cheap and available, everything from art house to grindhouse to documentaries and travelogues will show up in the results.

I've curated a list of Japanese language titles on Tubi I thought were worth a second glance. I will update this list on a semi-regular basis.

• Kamen Rider: Kuuga (2001) A young Joe Odagiri sets this entry in the long-running franchise apart from the rest. Alas, it suffers from the monster-of-the-week formula and is further hurt by the bad guys having no clear-cut motivation, which turns it into serial-killer-of-the-week. The body count is astronomical. But you can watch it to enjoy Joe Odagiri and a talented supporting cast.
• By contrast, Kamen Rider: Zero-One (2020) follows the George of the Jungle (1997) rule: "Nobody dies in this story. They just get really big boo-boos." Zero-One also illustrates how far budget CGI has evolved in twenty years. Alas, good CGI can't compensate for bad scripts. The series might have worked as a smarter Terminator prequel than the usual but instead gets painfully repetitious.
• Liz and the Blue Bird (2018) is a side story from Kyoto Animation's Sound Euphonium franchise. The movie revisits the first season from the perspective of two members of the high school brass band (supporting characters in the main series) as they rehearse a duet to be featured in the prefectural band competition.
• Onihei (2017) is based on the crime novels by Shotaro Ikenami. Heizo Hasegawa is police superintendent with an intimidating reputation (oni means devil). He and his men specifically investigate crimes of theft, armed robbery, and arson. This action-heavy Edo period police procedural doesn't flinch from depicting the complete lack of due process rights afforded to suspects at the time.
• Priest of Darkness (1975) shares a similar premise with Zankuro (2001). Like Ken Watanabe's Zankuro, Shintaro Katsu (of Zatoichi fame) plays a tea master with a high social rank but a meager stipend. Constantly hustling to pay the rent, he and his little gang settle disputes, investigate crimes, and dispense unofficial justice around the neighborhood.
• Sonny Chiba again plays the historical figure Yagyu Jubei in Shogun's Mission. Jubei's brother is an inspector on the famed Tokai Highway. Yagyu Jubei and his band of ninjas tag along as his bodyguards. This is classic road movie material with at least one big fight scene per episode. The Japanese title translates as "Yagyu's Unruly Journey."
• Thus Spoke Kishibe Rohan (2017) is a live-action spin-off from Hirohiko Araki's JoJo's Bizarre Adventure series. I never got into the latter but quite like the former. Kishibe Rohan is a mangaka who investigates paranormal mysteries for inspiration when he gets writer's block. Basically he and his editor are Mulder and Scully. Issei Takahashi does well in the lead role.
• Speaking of road movies, from 1962 to 1989, Shintaro Katsu made twenty-six Zatoichi films, along with four seasons of the Zatoichi television series. Each episode has the itinerant blind masseur running into a bunch of bad guys who will get sliced and diced in his inimitable style by the time the end credits roll.

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Japanese language links

Labels: anime, anime lists, anime reviews, crunchyroll, kyoani, samurai vs ninja, streaming, television reviews, tubi