In his essay on Aeon, Matt Alt tackles the subject of Japanese minimalism, most recently epitomized in the bestselling books by Marie Kondo.

To begin with, the ascetic practices attributed to Zen Buddhism are not the same thing as the disciplined use of space due to the fact that there isn't that much of it.

Population decline notwithstanding, Japan is still home to 126 million people who live in a country the size of California. Only 11 percent of the total land area is arable and less than a third of that is actually usable for housing.

That certainly sounds like a good argument for a less-is-more lifestyle. Except what space is available is nowadays bound to be crammed to the gills with stuff (as George Carlin delightfully put it).

After all, Kondo wrote originally for a Japanese audience, that had apparently forgotten they were supposed to be minimalists living in the land of minimalism.

Though to give Kondo the benefit of the doubt, I believe this is largely a postwar phenomenon brought about by both a booming economy and the additional confidence that all your stuff will still be here tomorrow.

As I discussed in a previous post about how Edo-period cities handled massive urban fires, perhaps Japanese minimalism simply evolved as a way to cope with that pretty grim reality.

Starting with the Great Fire of Meireki in 1657, fire was such ever-present fact of life that the average Edokko could expect his house to burn down at least once during his lifetime.

This expectation didn't end with the Meiji. As Edward Seidensticker writes in Low City, High City, "From early into middle Meiji, parts of Nihonbashi were three times destroyed by fire. There were Yoshiwara fires in 1871, 1873, 1891, 1911, and of course in 1923."

To be sure, the effervescence of life notwithstanding, the denizens of Edo weren't nonchalant about losing their stuff. Row house residents dug root cellars to stash their valuables during a fire. Wealthy landowners built fireproof storehouses away from the main house.

As late as 1995, the widespread damage from fires throughout Kobe following the Great Hanshin earthquake was a big wakeup call. Fire is no longer the threat it once was in Japan's urban centers, which has allowed clutter to proliferate.

When one of those old Edo period storehouses shows up in a modern mystery series, it will be crammed floor to ceiling with a haberdashery of clutter, that the detectives will have to comb through to find the critical clue.

As Kyoichi Tsuzuki points out, "Simplicity isn’t about poverty at all. It’s about wealth." It's about being able to buy all that stuff and then being able to afford to store it someplace else. Or replace it on a whim.

It's also a good way to have your minimalist cake and eat it too. Before the fussy relatives come over, cart all that materialistic excess to the storehouse and show off your splendidly simple life.

Or I guess you could hire Marie Kondo to eliminate the need in the first place.

Labels: economics, geography, history, japan, japanese culture, religion

A thief is on the loose in Tokyo, a smash and grab artist that targets high-end jewelry stores and steals only rare and valuable watches and timepieces. The identity of the burglar is no mystery. It's a metal robot, dubbed the "Bronze Devil" by the press.

Now it has set its sights on the estate of Ryunosuke Tezuka and the "Royal Luminous Watch." The police know the Bronze Devil's next victim because the robot brazenly told them the time and the place.

Except with its magical ability to appear and disappear out of nowhere, the police are powerless to stop one theft after the other. That can only mean it's time to put master sleuth Kogoro Akechi and the Boy Detectives Club on the case.

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

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The Boy Detectives Club

The Phantom Doctor
Big Gold Bullion
The Bronze Devil
The Space Alien

Ranpo Edogawa's first Boy Detectives Club novel since 1939 features the debut of the "Street Gang Irregulars," a motley crew of war orphans inspired by Arthur Conan Doyle's Baker Street Irregulars. Against such a formidable foe, these clever kids will have their work cut out for them.

But let there be no doubt that Edogawa's new and improved crime-fighting crew will come through in the end.

Family names follow Western convention, the surname given last. Long vowels have been shortened to a single character with no diacritics.

Check out Kate's interview with me about the translation process (also here, here, and here).

Visit Peaks Island Press for more information about the series and the author.

Labels: bronze devil, ebooks, edogawa, history, japanese, japanese culture, kindle, mystery, publishing, translations