The traditional police procedural is one genre where live-action Jdrama holds it own. Hollywood could do a lot worse than license a series like Partners just for the premise and the plots.

Much of the credit goes to Ranpo Edogawa (1894–1965), a tireless promoter of the mystery novel in Japan. His pen name is a pun on the Japanese pronunciation of Edgar Allan Poe. Edogawa is best remembered for the Kogoro Akechi and Boy Detectives Club young adult mystery novels, published between 1936 and 1962.

His efforts are widely acknowledged today. The mystery genre is prominent not only on prime-time television and the best-seller lists, but has long been a staple of young adult manga and anime.

Kindaichi Case Files, based on characters created by mystery writer Seishi Yokomizo, has been published by Kodansha since 1992. The ongoing Case Closed (titled Detective Conan in Japanese) was launched by Shogakukan in 1994, with the accompanying anime totaling more than 1140 episodes.

The main character in Case Closed sports the nom de plume of Conan Edogawa, an additional tribute to Arthur Conan Doyle as well. There is no shortage of detectives surnamed Akechi in contemporary Japanese crime fiction.

Speaking of Conan Doyle, Great Britain and Japan share similar cultural elements that make them ideal settings for the cozy mystery. Namely, generally accepted rules of propriety and a veneer of "polite society" easily disrupted (but not deeply damaged) by an otherwise "ordinary" crime. The world need not end in every episode.

Like a returning tide, we expect the greater cultural forces at work to wash away the disruptive elements and reset the stage for next week. So we shrug off the comically high murder rates in Midsomer and Cabot Cove, and the body counts in Kindaichi Case Files and Case Closed that can exceed that of the entire country on a weekly basis.

To be sure, a gun is rarely the murder weapon. But watch out for knives, rope, stairs, and every kind of blunt object! Reality forces Japanese crime writers to get creative, and they embrace all the plausible possibilities. It follows that the geeky appeal of the CSI subgenre has made it a favorite with audiences.

The CSI guy on Partners played a supporting role for twenty-one seasons. Kasoken no Onna ("Woman of the Science Research Institute") is in its twenty-fourth season. Like Crime Scene Talks (seven seasons), the plotting is pretty much by the numbers. But the reason we follow a recipe is because it works.

Viki has a handful of localized live-action police procedurals. For now, though, your best bet for subs or dubs is anime.

Crunchyroll has a boatload of Case Closed episodes. Sticking strictly to the puzzle-solving cozy mystery formula, five of my anime favorites are Holmes of Kyoto, Hyouka, In/Spectre, Beautiful Bones, and Onihei.

Hyouka and Holmes of Kyoto are classic whodunits that closely follow the classic formula, even though the cases often don't involve any actual crimes.

I love the clever English language title for In/Spectre, a supernatural detective series. It can get overly talky, especially in the first season, but Kotoko takes us through her reasoning process step by step. Though she is an often unreliable narrator, manipulating events to produce the outcome she prefers.

In Beautiful Bones, Sakurako Kujo is an even more eccentric osteologist than Temperance "Bones" Brennan, the series that inspired the English title. The Japanese title translates as "A Corpse is Buried Beneath Sakurako's Feet."

Onihei is an action-heavy Edo period police procedural that doesn't flinch from depicting the complete lack of due process rights for suspects at the time.

And although she only appears in a couple of episodes in a series that can't be classified in the genre, the hard-boiled vampire-hunting private eye in Call of the Night is such a great noir character that I'd like to see her get a show of her own.

Related posts

Ranpo Edogawa
Boy Detectives Club
Scene of the crime writer

Labels: crunchyroll, dlibjapan, edogawa, hidive, japanese culture, japanese tv, mystery, streaming, tubi, viki

In a previous discussion about the Mary Sue trope, I suggested the "cozy romance" as a companion to the "cozy mystery." Well, a series that qualifies as a cozy mystery, a cozy romance, and a Mary Sue that mostly works is Holmes of Kyoto.

Aoi Mashiro is a boy-crazed ditz when we first meet her. But her encounter with Kiyotaka Yagashira at the Yagashira Antique Shop turns her into a cool-headed antiques appraiser.

Eventually. Kiyotaka hires her to dust and sweep and make tea. But she's a fast study. A really fast study. Nevertheless, we see her put in the work. And she's got a great tutor. So she earns it.

Kiyotaka is, of course, young and handsome, the smartest appraiser in Kyoto. He claims that "Holmes" is merely a play on the kanji for "home" in his name, but he and Aoi end up solving a lot of crimes and mysteries.

The series has a Moriarty as well, though he's closer to the "Fiend with Twenty Faces" created by Ranpo Edogawa. Ensho is a defrocked Buddhist priest and frustrated forger who seems mostly obsessed with fooling Kiyotaka.

Along the way, of course, Aoi and Kiyotaka develop feelings for each other. But by externalizing the conflicts and taking the usual "complications" out of the relationship, the "cozy" romance can mature at a slow slow burn.

Aoi is still in high school, to start with. In any case, I'm not interested in a Mary Sue who is forever torn between cowboy Billy and billionaire Bob. Nobody plucks petals off a daisy while intoning, "She loves me, she loves me not."

The art and animation isn't as polished as Snow White with the Red Hair. But if you're looking for cozy mysteries and a very gently simmering romance, this dive into the world of Kyoto antiquing nicely fits the bill.

Holmes of Kyoto is streaming on Crunchyroll.

Labels: anime, anime reviews, crunchyroll, edogawa, mystery, thinking about writing

Nippon published a concise and informative retrospective of Ranpo Edogawa's literary career by Kimie Itakura, featuring an interview with Takumi Ishikawa, professor of modern literature and culture at Rikkyo University. My translation of The Bronze Devil gets a brief mention.

Labels: bronze devil, edogawa, japanese, mystery, thinking about writing, translations

Illustration by Kyosai Kawanabe.

In chapter 5 of The Space Alien, Kitamura-san describes a piece of mind-reading alien technology as a "magic mirror."

At first glance, it looked like a round silver metal tray. When I brought my face closer to it, I did not see my reflection as in a typical mirror, but a reflection of my mind. The thoughts of the person holding the mirror are displayed like a photograph on the surface of the silver plate. In short, a movie of the mind.

This "magic mirror" bears a strong resemblance to the jouharikyou (浄玻璃鏡) in Buddhist mythology, commonly translated as "Enma's Mirror of Judgment" or the "Mirror of Karma."

Enma (閻魔), commonly known outside Japan as "Yama," is the Ruler of Hell. Enma is a wrathful god who judges the dead. But unlike Saint Peter, he stands at the gates of Hell, where he decides which of the six paths in the eternal cycle of death and rebirth (samsara) the recently deceased will take.

One of the tools Enma uses when passing judgment is a mirror. Wrote the poet Kobayashi Issa (courtesy David Lanoue, edited for syllable count), perhaps referring to Issa's habit of "stealing" flowers from the gardens of his neighbors,

In Enma's mirror
shines back a reflection of
the plum blossom thief

This "magic mirror" reflects the deeds and true nature of those who stand before Enma, such that they cannot deny the verdict he hands down.

Labels: edogawa, japanese culture, mystery, space alien, translations