GKids has agreed to become a wholly-owned subsidiary of Toho International.

Founded in 1932, Toho is one of the biggest film producers and distributors in Japan, most famous for the Godzilla franchise (including the Oscar-winning Godzilla Minus One) and the films of Akira Kurosawa and Studio Ghibli. Toho Animation has done much of its work behind the scenes, regularly showing up on the production committees of top-tier anime series such as Spy x Family, Jujutsu Kaisen, My Hero Academia, and The Apothecary Diaries.

But then earlier this year, Toho purchased animation studio Science Saru, known for The Heike Story, Scott Pigrim Takes Off, Keep Your Hands Off Eizouken! as well as an upcoming addition to the Ghost in the Shell franchise.

Toho also bought a minority stake in CoMix Wave Films, the production home of Makoto Shinkai.

The GKids catalog already includes the films of Studio Ghibli, Mamoru Hosoda, Makoto Shinkai, Hideaki Anno, and a wide selection of animated productions from across Europe. So it looks like a good fit in the content department too.

Labels: anime, business, japanese tv, movies about japan

Jane Austen's Persuasion has the reader rooting for the protagonists to rekindle their estranged affections. But what of the novel's nemeses? In the end, the wily and impious Mr. Elliot casts aside his carefully groomed reputation and persuades the infamous Mrs. Clay to become his mistress.

But every persuader needs a persuadable partner, and Mrs. Clay is no ingénue; she'd send a Willoughby or a Wickham packing. Though no less calculating than those romantic villains, Penelope Clay and William Elliot discover in each other the kind of kindred spirits they fail to find among the titled Elliots.

While highlighting and transfiguring classic scenes from the novel, this unconventional version provides a romantic pairing on a par with that of Anne Elliot and Captain Wentworth. In the process, Persuadable illustrates an eternal Austen truth: love is wholly individual, no matter the age or time-period.

Who says a couple of shameless gold diggers can't find true love?

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

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Labels: books, kate, peaks island press, persuadable, publishing

I let my Netflix, Crunchyroll, and HIDIVE subscriptions expire at the beginning of the year and spent the next six months mostly watching live-action Jdrama on Rakuten Viki, Tubi, and Jme TV.

The result of this little experiment? Far and away, anime remains my preferred medium for scripted entertainment. So I dropped Jme TV and won't renew Viki. Netflix stays on hiatus until its anime catalog refreshes.

It's not just me.

As Miles Atherton reports on Anime News Network, according to recent data released by Netflix, in terms of total hours viewed, anime not only overperforms in its category overall but makes up almost 80 percent of all Japanese language content viewed.

Starting with deep wells of proven source material, the inherent constraints of anime production sufficiently discipline the process (no anime studio has the resources to crank out a $200 million CGI flop) so that when everything comes together, a watchable work of art is the result on a reasonably regular basis.

Good stories told well.

To start with, this isn't about production values. HD video technology has largely leveled the playing field in that regard. Rather, the underlying problems come down to how the stories are structured, paced, and told.

Many hour-long Jdrama episodes should be thirty minutes shorter. (So should most movies.) I usually skip anime compilation films but doing the opposite works better. Editing Demon Slayer: Mugen Train into seven episodes improved on the movie. When it comes to single arc stories, a runtime longer than that just drags everything out.

The extended Yor arc in the second season of Spy x Family could have been easily compiled into a two-hour movie. But it works better in a five-episode format. And, frankly, I would have rather seen Code White handled the same way, creating a complete second season instead of a single cour.

A half-hour live-action show like Kamen Rider: Zero-One is thirty episodes too long. Past a certain point, filling the available time results in mindless repetition. I made it to the end of Kamen Rider: Kuuga solely on the strength of Joe Odagiri's performance and a fine supporting cast that created a great Scooby Gang.

Incidentally, comparing Kamen Rider: Kuuga (2001) and Kamen Rider: Zero-One (2020) illustrates how extraordinarily far budget CGI has progressed in the past two decades.

Yet despite the superior production values of the latter, the acting and dialogue elevate the former, even with its near-fatal plot holes and running a full two seasons (that's one season too many).

When Hollywood is running on all cylinders, it gets episodic television exactly right, with standalone episodes loosely linked by season-long dramatic arcs running in the background. So Fuyuhiko Takahori has the cause and effect backwards. The common point of failure is stretching a single story over more episodes than are needed to tell it.

There are writers who have mastered the formula. 99.9 Criminal Lawyer and Unnatural both run standalone episodes against background narrative arcs that pay off reasonably well. Three Star Bar in Nishi Ogikubo tells a complete story in six half-hour standalone episodes and completes a satisfying series-long arc.

But more often than not, you feel like you're stuck on a hamster wheel, spinning around and around and going nowhere. Anime is not immune to the problem. Demon Slayer and Jujutsu Kaisen spend too long on the hamster wheel (a rut the battle shonen genre easily falls into) while Frieren jumps off before overstaying its welcome.

This is why I prefer the slice-of-life genre. Challenges are taken on episode by episode, with an emphasis on the character arcs. In Komi Can't Communicate, Komi struggling toward her goal and Tadano simply being a genuinely good person (harder to depict than it sounds) make the story compelling.

Likewise, in the plot-heavy My Happy Marriage (Cinderella in early 20th century Japan), I find myself more interested in Miyo's self-actualization (that tired term actually applies here) than the tangled web of political machinations.

Interesting characters create interesting stories, not the other way around. In Jdrama romances especially, the realization too often dawns that, aside from the sturm und drang of the romance itself, these are really boring people. That and a smattering of common sense would fix most of their issues.

Both the abstract nature of anime as an artistic medium and the physical constraints of the production process make it easier to align the story to the viewing time in ways that are both more concrete and rewarding to the viewer.

Related posts

Anime reassessed (pacing matters)
Anime reassessed (culture matters)
Anime reassessed (numbers matter)

Labels: anime, anime lists, japanese culture, japanese tv, japanese tv reviews, jdrama, jme, netflix, streaming, tubi, viki

In this largely autobiographical account of the author's two-year proselyting mission to Japan during the late 1970s, a Mormon missionary is confronted by an overzealous religious bureaucracy and faces his own growing doubts as the work of preaching the gospel gets turned into a cynical and self-serving game of numbers and spiritual one-upmanship.

The first chapter of Tokyo South, "Lost in the Works," was the innagural story of my writing career. I'd signed up for a computer programming class at BYU and discovered that I liked using the Pascal editor as a crude word processor (this was back during the Apple II era) more than programming.

Then "Number Games" won second place in the 1984 Vera Hinckley Mayhew Awards, my first solid bit of external validation. (I doubt the story would be so well received today; I like to call the first half of the 1980s at Brigham Young University under President Jeffrey Holland its glasnost era.)

Over the last two decades, a series of reorganizations and consolidations and force reductions finally resulted in the the Tokyo North and South missions being reunited in 2007. This Ted Lyon interview makes it clear that the shenanigans I describe in Tokyo South were by no means unique to Japan.

If anything, time and nostalgia and the detached sense of sang-froid that comes with age and experience led me to pull my punches a bit.

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

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Family names follow Western convention, the surname given last. Long vowels have been shortened to a single character with no diacritics.

Related posts

The evolution
Tokyo South is alive
Tokyo South is dead
The weirdest two years
The problem with projections

Labels: books, BYU, ebooks, japan, japanese culture, kindle, peaks island press, publishing, religion, tokyo south

International media distributor Remow teamed up with Nihon Eiga Broadcasting to bring historical dramas to overseas audiences with its Samurai vs Ninja website and YouTube channel. Remow has also gotten into anime licensing and continues to refrain from exclusives, sharing content on Tubi and YouTube.

Tonbo! (2024) is the best title in their anime portfolio so far. The manga by Ken Kawasaki and Yu Furusawa has been serialized in Weekly Golf Digest since 2014 and currently totals 52 volumes. So the viewer would do well to keep in mind that this isn't your usual shonen sports drama. It is written for golfers.
In other words, if you don't find Tonbo's inventive use of a 3 iron inherently fascinating, then the series probably isn't for you.

The plot merges the premises of Barakamon (2014), in which a professional calligrapher with a troubled past exiles himself to a tiny island and meets a bunch of quirky kids, and Rising Impact (2024), in which an eight-year-old golfing prodigy from the sticks is recruited to the elite Camelot Academy.

For idiosyncratic reasons I never divined, the names of several characters in Rising Impact are derived from the aforementioned Camelot, like Gawain and Lancelot. And speaking of Gawain (Misaki Kuno), a good part of the fun is listening to him (her) speak in a Tohoku accent you could cut with a knife.

In Tonbo! a professional golfer with a troubled past exiles himself to a tiny island in the Tokara archipelago and there encounters a quirky island girl named Tonbo, who turns out to be a golfing prodigy. He sees in her great potential, potential that will remain dormant and untested if she remains an island girl.

Along with smoothing out her more eccentric golfing habits (while not interfering with her unique approach to the game), he nudges her to leave the island when she graduates from junior high. The island has no high school. Students continuing their education live with relatives or attend boarding schools.

The Tokara archipelago is collectively governed as a village of Kagoshima Prefecture, so the favored destination for transfer students is the port city of Kagoshima and the surrounding areas.

While thoroughly entertaining, Birdie Wing (2022) and Rising Impact are so over the top that they more resemble superhero franchises that have to constantly invent new comically overpowered villains (and golf courses designed by M.C. Escher) to challenge the skills of the comically overpowered protagonists.

Tonbo! is far more realistic and treats the subject with the most technical accuracy. The main characters have actual character arcs, so there's no need for vaudevillian villains to create dramatic conflict. Instead, we focus our attention on how Tonbo evolves as an already gifted golfer and grows as a human being.

It's been an entertaining journey so far and I hope we can follow her all the way to a professional career. The second season is slated to begin October 4.

Related videos

Tonbo! (Tubi YouTube)
Barakamon
Birdie Wing
Rising Impact

Labels: anime lists, anime reviews, geography, japanese culture, manga, remow, samurai vs ninja, sports, tubi

Yuki Yamakawa comes from an old yakuza family. She loves training dogs and beating up bullies for a more clandestine reason: she's a werewolf. But then after one fight too many, Yuki's uncle sends her to Osaka's most exclusive girl's school to straighten her out.

There she meets her exact opposite, Ami Tokudaiji.

Ami is as high in society as Yuki is low. But with the family facing a financial scandal, the fate of the Tokudaiji fortune depends on Ami's mother participating in a shady real estate deal. Just as Yuki's estranged father returns to Osaka to lead the criminal investigation.

As it turns out, on her father's side, Yuki's blood runs bluer than any of her aristocratic classmates. Even so, that long-hidden family connection pales in comparison to the most fantastic fact of all—Ami is a kitsune, a Japanese werefox, and doesn't know it!

When they both end up in the same homeroom class at school, they'll have to stop fighting each other long enough to join forces against the mobsters menacing Ami's family.

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

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ePub
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Family names follow Western convention, the surname given last. Long vowels have been shortened to a single character with no diacritics.

Labels: books, fantasy, fox and wolf, japanese culture, peaks island press, publishing

The two major pure-play anime streamers in the North America market are Crunchyroll and Hidive. Netflix is active enough in anime to place third, but a distant third to Hidive, while Hidive places a distant second to Crunchyroll.

That's how dominate Crunchyroll has become in the anime world.

Some of my all-time favorite titles, such as Insomniacs After School, Made in Abyss, Girls und Panzer, Patlabor, Beyond the Boundary, Beautiful Bones, Tsurune, Clannad, and The Demon Girl Next Door debuted on Hidive. More recently, though, Hidive has been abandoning licenses as fast as it is acquiring new content.

Patlabor, for example. One of the best mecha series of all time. A true Mamoru Oshii classic. Gone without a trace.

As a result, the second seasons of Call of the Night and The Dangers in My Heart are the only recent titles on Hidive that have caught my interest. Separately, Netflix and Hidive don't have big enough anime catalogs to justify staying subscribed for more than a few months at a time.

With Crunchyroll, by contrast, the ongoing challenge is combing through the next season's lineup every quarter and deciding what not to watch (because I simply don't have the time).

Since entering the anime licensing arena, international distributor Remow has embraced a go wide philosophy that includes sharing content on Tubi. Remow partnering with Hidive is the stuff MBA theses are made of, but I'm not sure how plausible it would be from a bottom-line business perspective.

My solution to this problem is for Netflix to buy Hidive and combine their anime catalogs under the Hidive brand (using Netflix's streaming architecture). Netflix would preserve Hidive as a standalone pure play for subscribers like me who aren't that interested in anything else on Netflix besides anime.

Netflix could feature popular Hidive titles on its own service and Hidive would benefit from access to Netflix's licensing and production teams.

Too many players in a niche streaming market works as much to the detriment of the consumer as too few. But I doubt the FTC would condone Sony buying yet another anime distributor on top of what has become the Crunchyroll colossus.

Netflix acquiring Hidive would bring some competition back into the anime market without forcing anime fans to sign up for yet another streaming service. Netflix's platforms are much better and Netflix could inject some fresh blood into Hidive's dwindling catalog with content from its own backlist.

Related posts

Japan's phantom content boom
Netflix in Japanese (1)
Netflix in Japanese (2)
Netflix in Japanese (3)
Samurai vs Ninja
Japanese language links

Labels: anime, business, crunchyroll, hidive, japanese tv, netflix, remow, streaming, tubi

Making the most of her ability to converse with the dead, Donna Howard researches the provenance of art and antiques. This time, her examination of a colonial-era portrait delves into the dark history of her adopted niece, SarahAnn, uncovering a kidnapping plot and a murderer who got away scot-free.

The investigation takes Donna and SarahAnn from Maine to upstate New York, from wedding venues to house museums. Facing a past she never knew, SarahAnn questions what constitutes a person's real heritage and whether breaking the law is justified in order to prevent a more heinous crime.

There are times when honestly confronting the past may leave our descendants with no choice but to choose their own ancestors.

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

Kindle
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Donna Howard Mysteries

Coin
Silver Spoon
Apron
Clasp

Labels: donna howard, ebooks, fantasy, history, kate, kindle, mystery, peaks island press, publishing, social studies

Over the span of a decade or so, I'd been putting together a collection of Yokohama Shopping Log from Honto. I got to volume seven before it went out of print and Honto exited the physical books business.

Happily, a few years later, the English translation has been published and the Japanese edition is available as an ebook.

Imagine that life as we know it came to a screeching halt. When the apocalypse was over and the dust settled, what remained looked like northern Maine in the summer and Yokohama was reduced to the size of Bangor. The world as we know it is over and human civilization has entered its twilight years. But otherwise we all feel fine.

Alpha Hatsuseno is an android (indistinguishable from a human being). No, she and her robot allies are not hunting down the few stragglers left. When she's not exploring the Hudson River School landscapes on her scooter or during one of her walkabouts, she runs an off-the-beaten-track coffee shop on the coast.

Until the coffee shop gets wiped out by a typhoon. But, hey, that's life. A good excuse for another walkabout.

In some places amidst the crumbling infrastructure, the street lights still come on at night. In others, the street lights have evolved into trees that glow in the dark where the streets used to be. The planet finds a way forward, simultaneously disintegrating and remaking itself as it takes a leisurely stroll into oblivion.

I like to imagine Yokohama Shopping Log as the sequel to Girl's Last Tour, as if Chito and Yuuri and their halftrack fell through a wormhole and ended up in the bucolic countryside of Non Non Biyori or Super Cub or Laid-Back Camp.

In the English language, the ending of the world has been most famously memorialized by Robert Frost.

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

But contrary to Dylan Thomas, there's something to be said for going "gentle into that good night." Yokohama Shopping Log exemplifies the iyashikei genre that portrays "characters living out peaceful lives in calming environments." As it turns out, the world will not end with fire or ice but with a long wistful sigh.

Written and illustrated by Hitoshi Ashinano, whose show-don't-tell pen and ink artwork is often devoid of text. Published in Japan by Kodansha and by Seven Seas in the United States.

Related links

BookWalker (English ebook)
BookWalker (Japanese ebook)
Amazon (Kindle and paperback)

Labels: anime, anime lists, apocalyptic fiction, japanese culture, manga, manga reviews, technology

A scene in episode five of Spy x Family makes use of a reel-to-reel video tape recorder sitting under the television in the living room. At first, I was sure it was an anachronism. But a little research revealed that the technology existed in the 1960s when the series takes place.

Sony introduced the CV-2000 video tape recorder (VTR) in 1965 as part of its home electronics line. At the time, the CV-2000 retailed for $695. Adjusted for inflation, that'd be $7000 today. I'm sure Lloyd put it on his expense account (which his handler complains about).

In Japan, the initialism VTR is still used to refer to prerecorded video content on broadcast television (even though it's all digital by now).

Labels: anime, business, history, japanese culture, japanese tv, tech history, technology, television

If you needed a reason to get a Crunchyroll premium subscription, Spy x Family is it.

If nothing else, Spy x Family is a great homage to classic spy series from the Cold War era like Get Smart, It Takes a Thief, Mission: Impossible, The Man from U.N.C.L.E., I Spy, and The Saint (in which Roger Moore plays a better James Bond than when he was cast as James Bond).

You know, back in the good old days when we could safely assume that democracies were superior to autocracies and the good guys acted on behalf of the greater good.

In Spy x Family, the European setting is roughly based on East and West Germany during the 1960s, though this East Germany is economically freer and more politically turbulent than that East Germany. A better comparison might be Taiwan and post-1997 Hong Kong.

Operating under the code name Twilight, super spy Lloyd Forger has been tasked with establishing a diplomatic back channel with reclusive party leader Donovan Desmond. Desmond's sons attend Eden Academy, so Forger's handlers conclude that the best cover story is for Forger to enroll his child at the academy.

To do that he will need a child. And a wife. And a dog. A family, in other words.

He rescues Anya from a shady orphanage and arranges a paper marriage with Yor Briar, who has reasons of her own to shed her single status. What Forger doesn't know is that Anya is a telepath and Yor is a professional assassin. And the dog can see the future, except only Anya can communicate with him.

Because of her psychic powers, Anya is privy to the secret lives of her pretend parents, though this knowledge is filtered through the eyes of a precocious six-year-old child (who is probably five but said she was six because she knew that's what Lloyd wanted and was desperate to get out of the orphanage).

As far as Anya is concerned, her top priority is keeping the family together, as fake as it may be, while helping Lloyd complete his mission. And while Lloyd and Yor are always telling themselves they'll go their separate ways, they find themselves growing increasing comfortable with their artificial family life.

There are additional sitcom complications, such as Yor's younger brother being a member of the State Security Service (the equivalent of the Stasi). While Yuri is aware that a foreign agent named Twilight is in the country, he is is too flustered by Lloyd's marriage to his sister to realize that he's right under his nose.

Yuri is equally unaware of his sister's sinister side job. Undoubtedly one of those siloed need-to-know things.

Directors Kazuhiro Furuhashi and Takahiro Harada deftly walk a thin line, keeping the tone of the story simultaneously smart and silly without being stupid. Lloyd's side missions are quite thrilling in their own right too.

If we could go back in time, the perfect cast for a live-action version would be Dick Van Dyke and Mary Tyler Moore as Rob and Laura Petrie from The Dick Van Dyke Show. I'd love to seem them play against type and switch on a dime from normal (if somewhat goofy) middle-class parents to steely-eyed operatives.

The difference between the two leads is that Yor naturally defaults to Laura Petrie mode. For her, assassin really is just a side gig. Switching out of full-time spy mode is more difficult for Lloyd.

The second half of the second season reverses the roles. Yor is sent on a mission that constantly throws her into precarious situations that call on her talents as a cool and competent cutthroat killer. In her absence, Lloyd has to figure out how to be a full-time father figure.

In the universe of secret superheroes, the controlling half of the dual personality—Clark Kent or Superman, Bruce Wayne or Batman—will ultimately determine the direction of the narrative. For Bruce Banner and the Hulk, the conflict arises out of the irradicable nature of the struggle.

This is the question that Lloyd will ultimately have to answer. The decision would end the show in its current form, but given such wonderful characters, I would very much like to see how our family of spies adapts after the Berlin Wall falls.

Spy x Family is a well-crafted series where the long arc of the show can be stretched out without frustrating the audience, allowing the writer and director to get creative with one-and-done episodic plots. Exactly what former network executive Paul Chato identifies as the recipe for a successful television series.

Crunchyroll has both seasons of Spy x Family and Spy x Family: Code White. Tubi has five seasons of The Dick Van Dyke Show and six seasons of The Saint.

Labels: anime, anime reviews, business, crunchyroll, geography, politics, streaming, television reviews

It's 1995 and Donna Howard is living an ordinary life in Portland, Maine. She works as a hairdresser, has a boring boyfriend, two opinionated brothers, and two exhaustively energetic parents. As far as she's concerned, she's an ordinary person and proud of it.

Except she can see the past. Walk down any street in the old part of the city and four centuries of its inhabitants walk right along with her. She can observe them, hear them, smell them. And, frankly, she'd rather not. She'd prefer to leave the past in the past.

Until a customer "accidentally" leaves an ancient Roman coin at the hair salon. A coin worth an awful lot of money. Then the woman appraising the coin for the Portland Museum of Art "accidentally" ends up dead. And now the past won't leave her alone.

Not even the man who's visage was molded into the metal 2000 years ago, a man who wreaked mayhem then and may have witnessed murder now. Quite unwittingly, Donna uncovers family secrets, confronts historical controversies, and closes in on a very contemporary crime.

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

Kindle
Paperback
ePub
Read an excerpt

Donna Howard Mysteries

Coin
Silver Spoon
Apron
Clasp

Labels: books, coin, donna howard, ebooks, kate, kindle, mystery, peaks island press, publishing

Tubi has anime and Kdrama channels but nothing specific to Jdrama. Tubi doesn't have language filters either, so the only way to sift through Tubi's catalog, aside from third-party sites like Reelgood, is to look up specific titles, actors, and directors, or do global searches for Japan and Japanese.

Even there, the Tubi search engine is fuzzy, so the hits will be all over the map and may have nothing to do with Japan. And because Tubi licenses just about anything as long as it's cheap and available, everything from art house to grindhouse to documentaries and travelogues will show up in the results.

I've curated a list of Japanese language titles on Tubi I thought were worth a second glance. I will update this list on a semi-regular basis.

• Kamen Rider: Kuuga (2001) A young Joe Odagiri sets this entry in the long-running franchise apart from the rest. Alas, it suffers from the monster-of-the-week formula and is further hurt by the bad guys having no clear-cut motivation, which turns it into serial-killer-of-the-week. The body count is astronomical. But you can watch it to enjoy Joe Odagiri and a talented supporting cast.
• By contrast, Kamen Rider: Zero-One (2020) follows the George of the Jungle (1997) rule: "Nobody dies in this story. They just get really big boo-boos." Zero-One also illustrates how far budget CGI has evolved in twenty years. Alas, good CGI can't compensate for bad scripts. The series might have worked as a smarter Terminator prequel than the usual but instead gets painfully repetitious.
• Liz and the Blue Bird (2018) is a side story from Kyoto Animation's Sound Euphonium franchise. The movie revisits the first season from the perspective of two members of the high school brass band (supporting characters in the main series) as they rehearse a duet to be featured in the prefectural band competition.
• Onihei (2017) is based on the crime novels by Shotaro Ikenami. Heizo Hasegawa is police superintendent with an intimidating reputation (oni means devil). He and his men specifically investigate crimes of theft, armed robbery, and arson. This action-heavy Edo period police procedural doesn't flinch from depicting the complete lack of due process rights afforded to suspects at the time.
• Priest of Darkness (1975) shares a similar premise with Zankuro (2001). Like Ken Watanabe's Zankuro, Shintaro Katsu (of Zatoichi fame) plays a tea master with a high social rank but a meager stipend. Constantly hustling to pay the rent, he and his little gang settle disputes, investigate crimes, and dispense unofficial justice around the neighborhood.
• Sonny Chiba again plays the historical figure Yagyu Jubei in Shogun's Mission. Jubei's brother is an inspector on the famed Tokai Highway. Yagyu Jubei and his band of ninjas tag along as his bodyguards. This is classic road movie material with at least one big fight scene per episode. The Japanese title translates as "Yagyu's Unruly Journey."
• Thus Spoke Kishibe Rohan (2017) is a live-action spin-off from Hirohiko Araki's JoJo's Bizarre Adventure series. I never got into the latter but quite like the former. Kishibe Rohan is a mangaka who investigates paranormal mysteries for inspiration when he gets writer's block. Basically he and his editor are Mulder and Scully. Issei Takahashi does well in the lead role.
• Speaking of road movies, from 1962 to 1989, Shintaro Katsu made twenty-six Zatoichi films, along with four seasons of the Zatoichi television series. Each episode has the itinerant blind masseur running into a bunch of bad guys who will get sliced and diced in his inimitable style by the time the end credits roll.

Related posts

Tubi in Japanese (1)
Tubi in Japanese (2)
Tubi in Japanese (3)
Samurai vs Ninja
Japanese language links

Labels: anime, anime lists, anime reviews, crunchyroll, kyoani, samurai vs ninja, streaming, television reviews, tubi

Besides the badness of the writing, Kate argues that the biggest problem with Pride and Prejudice fan fiction (commercially published or otherwise) is that it inevitably makes Darcy out to be the stereotypical alpha male of Regency romances.

Austen simply wasn't capable of being that simple and obvious, and nothing in the text justifies it. As Kate explains, she concurs with

Phyllis Ferguson Bottomer's argument in So Odd a Mixture that Darcy is borderline autistic. Her delineation of Darcy's character is one of the most accurate and delightful on record. She recognizes what few interpretations do, namely that Darcy is accused of pride in Hertfordshire for reasons that have nothing to do with familial or class pride.

Most tributes to Pride and Prejudice fail to acknowledge that all of Darcy's problems in Hertfordshire stem from his behavior, not from his beliefs about himself. He is perceived as proud because he won't dance or talk, not because he boasts about his position or even because he gives anyone the "cut direct." He doesn't even cut poor Mr. Collins.

To correct this, she penned A Man of Few Words, an addendum to Pride and Prejudice that relates Darcy's perspective on the important events in the novel.

The Kindle and paperback editions can be purchased at Amazon worldwide. The ePub format is available at Apple Books, Google Play, Rakuten Kobo, B & N Nook, Smashwords and many other ebook retailers.

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The Gentleman and the Rake is the omnibus edition of Mr. B Speaks! and A Man of Few Words.

Labels: criticism, ebooks, kate, kindle, peaks island press, romance