January 18, 2018

Your Name

Ever since the March 2011 Tôhoku earthquake, NHK has run an ongoing series of short documentaries featuring survivors of the disaster. With surprising objectivity, they deliver first-person accounts of the moment, recounting the tragedy then and the small triumphs since.

The subjects of these vignettes are often shown standing on the concrete slab that remained of their home or business. Such scenes are becoming less common as the Japanese government pours billions into the recovery efforts, in some cases raising entire communities hundreds of feet above sea level.

Last year, the NHK documentary series 72 Hours (in which a film crew camps out in a particular place for three days straight and interviews anybody willing to appear on camera) visited Yonomori Park in Tomioka, Fukushima, renown for its wide boulevards of lush cherry trees.

Because of its proximity to Fukushima, only registered residents are allowed to visit the northeastern part of the town. The result is a kind of open-air Pompeii. Past the barricades, human civilization stopped in 2011, slowly being reclaimed by nature and repopulated by mildly radioactive boars.


Makoto Shinkai wrote Your Name with this context in mind. In the alternate reality of Your Name, a disaster visits Japan on a smaller scale and in non-linear time. A rural town in Gifu Prefecture instead of rural fishing villages north of Sendai. But the parallels are clear.

Still, Shinkai begins with a feint, a body-switching Freaky Friday physical comedy (though elevated to near transcendental levels by his gorgeous cinematography). Even there, his direction is laden with symbolism deeper and darker than the subject matter initially suggests.

The first time we see Mitsuha in school, the teacher is explaining the etymology of tasogare ("twilight"). It was originally pronounced tasokare, literally, "Who are you?" In a world without artificial lighting, identifying a person at twilight could be tricky.


A moment later, Mitsuha turns a page and that question stares back at her from her notebook, written by Taki the last time he switched bodies with her.

A word from classical poetry with Chinese roots, tasogare also suggests an otherworldly time when "gods and ghosts walk unnoticed upon the earth" (as I have Gendô explain in Serpent of Time). Only during the twilight can Mitsuha and Taki meet before their timelines realign.

Given this aura of magical realism, of course Mitsuha and her sister are Shinto shrine maidens. (As cinematic reference points, see Inuyasha, Ginkitsune, and Kamichu! just to start with.)


But the unifying metaphor that ties the film together is the red thread. Originating in ancient China, the red thread of fate "connects those who are destined to meet, regardless of time, place, or circumstance. The thread may stretch or tangle, but it will never break."

Mitsuha ties up her hair with a red ribbon and Taki wraps a red strap around his wrist every morning. Thanks to a Heisenbergian trick of time and place, it is the same red thread.

More subtly, I believe that Shinkai is symbolically referencing his own work, namely Children Who Chase Lost Voices (2011). This retelling of the myth of Izanagi and Izanami (Orpheus and Eurydice) takes a young girl to the Gate of Life and Death in the center of the Underworld.


To get to the Gate, where Asuna hopes to find her father, she descends into a giant crater. In Your Name, The town of Itomori surrounds an impact crater. When Mitsuha, her sister and grandmother visit the family shrine within a metaphorical underworld, the site is in the center of an impact crater.


In the wake of the 2011 disaster, hundreds of "tsunami stones" in the hills of coastal Japan attracted renewed attention. The stones marked the high-water mark of previous disasters. Geological data and historical records point to a "Sanriku earthquake" in the year 869 in the same Tôhoku region.

And thus in Your Name, Shinkai's "Itomori Crater" was formed 1200 years ago and the comet, like the earthquake, has returned again.

The past is prelude. Forgetting the past, Santayana warned, we are doomed to repeat it. There's no telling when Godzilla will come stomping in from the sea. Hence the curse of samsara, the "cyclicality of all life, matter, existence."

All things pass away. All things come around again. And once more pass away. The pathos of life.

Mono no a'wa're is Shinkai's specialty, referring to the Japanese aesthetic concept of the beauty that can be found in the transitory nature of things, "a gentle sadness (or wistfulness) at their passing as well as a deeper gentle sadness about this state being the reality of life."

And yet. Reinterpretations and extrapolations of Buddhist and Shinto metaphysics are part and parcel of Japanese fantasy. Reincarnation need not be a curse. While Children Who Chase Lost Voices is about accepting loss and moving on, Your Name circles around and rekindles hope anew.

As does Ocean Waves, giving its characters a second metaphorical chance at a life that still-could-be. Angel Beats offers them rebirth and a second life (and a similar ending). Your Name splits the difference, suggesting that we can step outside of time and not become prisoners of fate.

It is a message that Japan, particularly since 11 March 2011, very much wanted to hear.

Related posts

Makoto Shinkai
Your Name (not a review)
Hollywood made in Japan
Walk on water

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December 01, 2016

Earthquakes and the JMA

The Japan Meteorological Agency classifies earthquakes in absolute (Richter scale) and relative terms. This provides the public with practical information, especially when the epicenter often isn't directly below the locations most affected (click image for full size).


So the 7.4 magnitude (later revised .1 upward) earthquake the Monday before last rated at worst a "5-" in actual effect ("seismic intensity") on land.

The earthquake struck at 5:59 AM (Japan time). That meant the 6:00 AM news (2:00 PM MST) was immediately interrupted by "earthquake coverage," which follows a pretty standard format.

No talking heads (at first), no reporters babbling into the camera with no idea  what is going on. The screen switched to a live feed from Onohama harbor in Iwaki, Fukushima, closest to the epicenter. Pertinent information is relayed via on-screen text or audio.

At 6:02 came a tsunami warning, worst-case at three meters. Not disastrous, but enough to be concerned about.

The audio at this point turned, well, excitable. I imagine the poor guy had just gotten to work and hastily swallowed a liter of coffee. Pretty much: "Flee for your lives!" The red-highlighted text on the screen said the same thing. With explanation points.

Recalling that 16,000 people died from the 2011 Tohoku tsunami, this concern is understandable. (The 7.4 magnitude mainshock this time has since been categorized as an aftershock to the 2011 Tohoku earthquake.)

The fishermen certainly weren't taking any chances. As I said, the live feed was from Onohama harbor. It was fascinating to watch all the fishing boats rev up and head out to sea. In twenty minutes, the harbor was empty. Very impressive.


I do wonder about the "crying wolf" problem.

As it turned out, the deepest tsunami was five feet in one location and was more of a tidal surge. Most everywhere else along the coast, it was a foot to eighteen inches. One small boat capsized and nets drying on the docks got washed into the harbor.


But nobody is questioning the "better safe than sorry" policy, and certainly not in Tohoku.

Along with its early warning system, the JMA provides public data on earthquakes. Whenever NHK flashes a warning, I go to the JMA Earthquake Information site (Japanese/English). As you will see, earthquakes are a fact of life in Japan. (Click on a date in the left-hand column for details.)


As illustrated above, the colored round dots indicate the relative magnitude. Clicking on the map (such as here) lets you zoom in.

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April 28, 2016

Japan's San Andreas

The 7.3 magnitude mainshock that struck Kumamoto prefecture on 16 April (Japan time) was preceded by a 6.5 magnitude earthquake and followed by more than 1000 aftershocks. Less a devastating head-on collision than the wheels falling off a truck at 60 MPH and the axles dragging along a road filled with potholes.

Unlike the colossal magnitude 9 quake that devastated the Tohoku region of Northern Japan in 2011, the Kumamoto earthquake did not trigger a tsunami. Occurring in a largely rural part of Japan on the southern island of Kyushu, it has caused only 49 deaths to date. The most severe damage was from landslides.

Not the edge of a cliff, a landslide (courtesy Japan Times).

The earthquake struck along a shallow inland slip fault, specifically the Futagawa-Hinagu fault link, at the western edge of the Japan Median Tectonic Line.

A slip fault vividly illustrated (courtesy Japan Times).

Like the San Andreas, the Japan Median Tectonic Line is clearly visible on topographical maps. It begins its journey off the western coast of Kyushu, heads east-northeast, hugs the northern coast of Shikoku, bisects the Kii Peninsula, doglegs around Mt. Fuji, and plunges back into the ocean fifty miles east of Tokyo.


To the north, the Philippine Sea Plate is colliding with the Pacific Plate and the Okhotsk Plate. Moving at a brisk 48-84 mm/year to the west-northwest, the Pacific Plate rams the southern edge of the Okhotsk Plate and the northern edge of the Philippine Sea Plate, crumpling the bedrock of central Japan into the Japan Alps.

The collision between the Philippine Sea Plate and the Pacific Plate forms the Ogasawara Islands, that start at the Izu Peninsula and include Iwo Jima at its southern end. The Izu Peninsula sits at the feet of Mt. Fuji and is home to Hakone National Park and its countless hot springs—a mere 50 miles south of Tokyo.


Sitting on top of the convergence of four massive tectonic plates, perhaps the most amazing thing about Tokyo is that it continues to exist at all.

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June 15, 2015

Utopia wasn't built in a day

At the heart of every Edenic green dream is an obliviousness to the necessity of time and the demands of scale. A similar flaw shows up in near-future science fiction. Any razzle-dazzle infrastructure predicted to be ubiquitous a quarter-century from now has to be in the permitting process now.

When referencing the Space Race, remember that the chief architect of the Saturn V booster was Wernher von Braun, who'd launched 5200 V-2 liquid-fuel rockets during the 1940s. His designs were in large part based on Robert Goddard's groundbreaking research in the 1920s.

Japan Railways and its predecessors had started buying up rights-of-way for the Shinkansen thirty years before it debuted in 1964 (the war having put the original plans on hold). The route itself followed the centuries-old Tokaido Road.

These things take time. Unlike Jean-Luc Picard, no modern, democratic government can "Make it so" by merely ordering it. Even authoritarian regimes are finding it tough these days to rule by decree.

California is still a democracy. A messy one. The LA Times recently reported: "Finding a route into the Los Angeles Basin for the California bullet train is proving far more difficult than it seemed a year ago, as opposition is surging in wealthy and working-class communities alike."

Phase 1 of California High-Speed Rail project is supposed to be completed by 2029. Chances of Phase 1 getting done on time: zero. Chances of it never being finished: high. Discussing the various obstacles to the routes currently under debate, Steve Sailer concludes:

Theoretically, High Speed Rail could follow the existing tracks west through Simi Valley to Santa Barbara--I've taken the slow train to Santa Barbara. But nobody can conceive of the zillionaires of Santa Barbara allowing High Speed Rail to roar through Montecito, so that idea never comes up.

Even if we could nationalize all the beautiful back yards and ocean front vistas keeping such projects at bay, there's still the problem of actually building the thing. Or as Elon Musk would prefer, a whole bunch of things, explains Will Boisvert in "The Grid Will Not Be Disrupted."

Does all the messianic talk of battery-powered "disruption" and solar triumphalism stack up? Hardly. For all their ballyhooed price reductions, Tesla batteries are still too unreliable and expensive to come even within hyping distance of neither a reliable power supply, nor an off-grid revolution.

To get down to brass tacks:

(Click to enlarge.)

For that much money, Boisvert points out, you could build enough AP1000 nuclear power plants to completely decarbonize Germany's electrical supply. Germany presently gets 75 percent of its electrical power from fossil fuel sources. That's measurably higher than the U.S. (67 percent).

France gets eight (8!) percent of its electrical power from fossil fuels. Nuclear accounts for 77 percent.

Before Fukushima, Japan generated 30 percent of its electrical power from nuclear; it's now close to zero, the difference being made up by oil, gas, and coal. Unlike Germany, Japan intends to restart its nuclear plants. Like Germany, in the meantime, it's increasingly relying on coal.

We've been building steam-turbine generators since 1884. They generate terawatts of reliable power and run 24/7 for years. But "the falling price of wind and solar generators has distracted us from the external costs of trying to shape [wind and solar] into an energy source we can count on."

As I said: these things take time. Oh, I can well imagine renewables becoming "affordable" in the near future because of bounteous subsidies (not that India and China care; heck, if I were them, I'd sign any treaty put in front of me and keep burning coal).

Except subsidies don't change the laws of physics. All those wind and photovoltaic farms will require an equally large number of base load power plants (if not nuclear, then burning fossil fuels well into the next century) to mitigate the storage problems. Which we'll merrily pretend don't exist.

The carbon equation won't change one iota, but at the very least we can all feel better about ourselves.

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March 16, 2015

Walk on water

When I was growing up, the space race competed with underwater sea adventures for gorgeous photo spreads in National Geographic (which nobody read for the articles). Jacques Cousteau was as big a star as the astronauts and took prettier pictures.

As with Stanley Kubrick's space station in 2001: A Space Odyssey, everybody knew that we were going to be living in cities at the bottom of the ocean any day now (because, you know, population).

As useless as the ISS (and more dangerous) but at least cheaper.

Alas, by the time we made it to the Moon, real space exploration had grown ho-hum (sans white-knuckle disasters like Apollo 13). Living in space turns out to be pretty inconvenient. And mostly good for making cool YouTube videos.

The same goes for living under water. Somewhere along the evolutionary path, we homo sapiens got rid of gills, and good riddance.

But as it turns out, millions of people are living at the bottom of the ocean. The trick, you see, is first to raise the bottom of the ocean to sea level. That makes it a lot easier.

Over the past century, almost one hundred square miles of Tokyo Bay have been "reclaimed." I lived for a year in a housing project on reclaimed land in Osaka Bay, also home to Kansai International Airport, built entirely on a man-made island.


In Japan, it's actually more economically, politically, and environmentally efficient to carve up a mountain and dump it into the ocean than to move in the opposite direction, or push all urban development everywhere down to the water's edge.

The Tohoku earthquake has taken land reclamation in a whole new level. It's been four years since. The rubble has been removed, leaving behind empty fields and vacant lots where towns once stood. The question is how to prevent the "next time."

On 11 March 2011, 250 miles of coastline shifted up to eight feet eastward and dropped over two feet. Most harbor seawalls failed. Entire fishing villages were washed away. Fukushima Daiichi was swamped, its backup generators destroyed.

It soon became obvious that building sea walls able to defend against any possible tsunami was a fool's errand. And if built, the high walls would turn the place into a prison (which remains a problem even with the sea walls that are being built).

As a result, two basic approaches are being taken: 1) relocating retail and residential communities further inland; 2) a combination of sea walls and raising the ground level (click to enlarge).

Moving inland and higher up (courtesy Japan Guide).

Following the earthquake, parts of many coastal towns ended up underwater at high tide (and people complain about their mortgages being "underwater"). A good part of what was Rikuzentakata, Iwate Prefecture, will rise forty feet.

Another way to stand on higher ground (courtesy Japan Guide).

This once quaint fishing village now looks like a science fiction movie set: a forest of massive conveyor belts moving 20,000 cubic meters of soil a day. If you're looking for "shovel-ready projects," the shovels don't get any bigger than this.

Elaine Kurtenbach describes the government-industry complex that has been churning along now for half a century:

Pouring concrete for public works is a staple strategy for the ruling Liberal Democratic Party and its backers in big business and construction, and local officials tend to go along with such plans.

Rikuzentakata won't be going to the mountain; the mountain is coming to Rikuzentakata. Literally.

Making the mountains low (courtesy Japan Guide).

The Book of Isaiah sums up the process very well:

Every valley shall be raised up,
     every mountain and hill made low;
the rough ground shall become level,
     the rugged places a plain.

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March 12, 2015

Now, Our Two Paths

Asahi Productions (Studio Shiroishi in Miyagi) has released an anime short about the rebuilding efforts in Miyagi Prefecture, hard-hit by the 11 March 2011 Tohoku earthquake. It's in Japanese but otherwise easy enough to understand.


(View the larger screen version here.)

Ima, Futari no Michi ("Now, Our Two Paths") begins a decade or so ago with Jun and Kunpei discussing their futures (Jun becoming a doctor, Kunpei a fisherman), and then gives us snapshots of their lives over the four year since March 2011.


The dates at the bottom right are the year (Heisei notation) followed by the numerical month or season (winter: 冬 spring: 春 summer: 夏 fall: 秋 New Year's: 元旦). Heisei 23 is 2011 (subtract 12 to get the Gregorian year).


The spring of 2011 finds Jun back in Miyagi, completing her residency at a clinic near her home town. Kunpei is a farmer. The buildings at the 2:20 mark are prefabricated housing units, still home to 77,000 (out of 230,000 total displaced persons).


A more in-depth description here. From a critical perspective, I'm impressed at how much story can be condensed into five minutes (it is very much a story of moments).

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August 30, 2012

Mandarins and meltdowns

In the second of the two articles referenced in my post about real estate tomfoolery in central Japan, Spike Japan mentions an absurd but ominous harbinger of much worse things to come.

The 2007 Chuetsu earthquake (magnitude 6.6) caused a minor accident at the Kashiwazaki-Kariwa nuclear power plant, a (non-radioactive) fire in a transformer,

the reaction to which laid bare naked Keystone Coppery on the part of TEPCO: the chief operations manager happened to pass the transformer in his car, noticed the smoke, concluded that the fire wouldn't burn long, and left the task of quelling it to subordinates . . . [who] found that the fire hydrants near the transformer had been knocked out by the earthquake and yielded up no more than a trickle of water. Plant officials tried to notify the local fire brigade by phone, but they had no hotline and couldn't get through; five off-duty firemen were corralled and they finally doused the blaze, two hours after the earthquake.

The meltdown four years later at TEPCO's Fukushima Daiichi nuclear power plant was less the product of such "Keystone Coppery" than it was the result of years of incompetence baked into the bureaucracy by the time the disaster struck.

Because Fukushima Daiichi was based on a General Electric design that has an almost exact twin in the U.S., NHK has done a series of documentaries comparing and contrasting the one with the other. The stark conclusion is that everything that Fukushima Daiichi should have done, the U.S. plant had already done.

To greatly oversimplify, following the earthquake, three failures led to the meltdown: the diesel generators, all located on the ground floor, were wiped out by the tsunami; the backup batteries couldn't be swapped out once they ran low; the passive cooling system didn't have manual overrides.

At Fukushima Daiichi's American counterpart, the generators were long ago placed at staggered elevations; battery backups are available from a "Nuclear Parts 'R' Us" repository ("Any time, anyway you want 'em delivered"); and the passive cooling system has big, hand-cranked valves.

"The first thing we're trained to do in the case of a total power failure," the plant supervisor explained to the NHK reporter, "is climb up there and open those valves."

I'm the last one to praise government a bureaucracy, but the NRC is doing its job. Looking beyond the agency itself, it can do its job because it belongs to a political system tasked with making constitutional principles work in the real world: separation of powers, checks and balances, and federalism.

As George Will likes to point out, the overriding objective of constitutional government is not to "get things done." It is to not get things done, to create a constant friction that keeps the Leviathan from steamrolling over individuals and localities.

In many respects, Japan's prefectures are less autonomous now than they were during the Edo period. The mayor of Osaka formed a new political party advocating for "local control," but for now it's only advocacy. Tokyo's mandarins continue to micromanage public works everywhere, down to the placement of telephone poles.

This centralized control is further plagued by the widespread practice of amakudari, according to which retiring regulators "descend from heaven" to serve on the boards of the companies they once regulated. As Wikipedia explains,

Over 50 years ending in 2010, 68 high-level government bureaucrats have taken jobs with electricity suppliers after retirement from their government positions. In 2011, 13 retired government bureaucrats were employed in senior positions in Japan's electric utilities.

Beyond the considerable influence U.S. state governors have on nuclear plant placement (zoning, licensing, and the like), NHK was surprised to find that in the U.S., the local fire department and first responders are trained to deal with nuclear accidents (Hazmat), and have immediate access to the plant.

This is the essence of good and proper governance: those with the most at stake and the most to lose are given the resources to do something about it, not just desperately bend an ear in a distant federal government, but put their own "boots on the ground."

If a bunch of batteries is what it'd take to keep a chunk of their prefecture from being turned into a wasteland, and they had the tools available to do something about it, no one doubts that the governor and mayors of Fukushima would have gotten them there by car, boat, bike, or rickshaw, come hell or high water.

Related posts

Fukushima fallout
Build it and they won't come

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November 07, 2011

Just stand there

One of the most destructive political impulses in the world today is the conviction that every identifiable problem must be addressed by having the government, at the highest levels, do "something" about it: invade it or regulate it or outlaw it or subsidize it or bail it out.

Bryan Caplan calls this the "Activist's fallacy":

1. Something must be done
2. This is something
3. Therefore, this must be done.

As Northern Japan found out, you can spend billions of dollars building a "solution" to a known problem, only to see it completely fail. And in the process, exacerbate the original problem by creating a false sense of security.

NHK has been conducting interviews with survivors from these costal town (an abridged version was broadcast on PBS). One thing that becomes clear is that people who could see the coastline got away, while those behind the immense sea walls--that turned these villages into medieval walled fortresses--often had no idea what was going on.

TEPCO was certain the sea walls surrounding Fukushima Dai-ichi couldn't be breached. The situation might have turned out completely differently had they built the plant with the assumption that a tsunami would flood the plant. The solution in that case--more redundancy in the backup power systems--would have been far more effective.

A Nightly Business Report (October 04, 2011) story from the fishing village of Kesennuma represents the kind of thinking that's too often missing when the gears of government begin to grind. Instead of fighting nature, the new Kesennuma wants to forgo the massive sea walls.

Especially because we want to draw more tourists, building a wall to block off the sea is out of the question. Tsunami are a natural phenomenon. There's one major tsunami every few centuries. So you insure yourself and figure out how to make it safe to live and work around them.

As correspondent Lucy Craft points out, "Even huge tsunami waves couldn't topple most of the concrete-reinforced shops in downtown Kesennuma and floodwaters rose no higher than the second story."

As it has turned out since, some large structures failed because they paradoxically became boyant. In other words, the basement levels and first floors of coastal buildings should be designed to "fail" and flood, not remain watertight and trap air.

This is another good example of drawing the line--between a storm surge and a tsunami--when it comes to confronting nature. And we really need to start drawing those lines. Rather than acting, Congress needs to learn when to sit on its hands. Don't do anything, just stand there!

Don't (re)build cities below sea level. Don't build suburbs in flood plains. Don't reinsure people who build seaside houses in the path of hurricanes. Quit lining every waterway with levees. We don't live in freaking Holland! (Oh, and don't give home and student loans to people who can't possibly ever repay them.)

Whether a bank or a flood wall or that latest Keynsian extravaganza, if it's "too big to fail," then the faster it fails the better. We'll pick up the pieces (the smaller they are, the easier to pick up), learn from our mistakes, learn to live with what we can't actually change or realistically prevent, and move on.

Related posts

Apocalypse not now
The Sendai earthquake

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September 12, 2011

Moments of silence

Listening to the 9/11 ceremonies on NPR, the spare amounts of speechifying and the moments of silence reminded me of what is called mokutou (黙祷) in Japanese, or "silent prayer."

Although religious in origin, mokutou is unadorned by religious trappings. When it comes to memorials, the sparer the better (Bloomberg was also right to keep the ceremonies mostly secular).

In a strange, cosmic coincidence, 9/11 was the sixth month anniversary of the earthquake and tsunami that devastated Northern Japan on 3/11. Here is a clip of a first month mokutou.


The "mokutou" is always announced, though it's usually preceded by a chime, not a siren. (The reason for the press attention in this particular case is ex-Prime Minister Hatoyama, third from right).

A simple ritual can displace a lot of empty rhetoric. The basic form of kiritsu (stand) and rei (bow) permeates Japanese society, and sort of substitutes for the Pledge of Allegiance in public schools.

The timing of memorial services in Japan, however, is horribly complex.

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April 14, 2011

Not an apocalyptic thriller

This video, shot by a crew of Video News Network reporters, reminds me of the 1979 Andrei Tarkovsky film Stalker. The "stalker" is a mule who guides people into the "Zone," an wasteland devastated by a meteorite strike. Their destination is "The Room."

At the center of this zone is the Fukushima power plant. It's just as unearthly and weird as the movie. Despite the squawking radiation meters, they are never in much danger. The Geiger counters finally peak at 112 μSv/hour within a mile of the plant.

They didn't hang around, so shouldn't have gotten much more radiation than a single dental X-ray (5 μSv), about what you'd get every hour flying cross-country in a commercial jet. The average annual radiation dose for Americans is around 3600 μSv.

Radiation is one of those things that you don't think about until forced to by circumstances. But like the universe itself, we were born in radiation and will spend our lives absorbing and radiating it. It's not a question of whether or not, but of how much.

In Stalker, The Room is said to be a place where wishes are granted. The wishes in this case are obvious, but only time and a lot of hard, dangerous work can make them come true.


Related posts

Fukushima fallout
Sendai earthquake
Apocalypse not now

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April 11, 2011

Ganbarou! Japan

Quite coincidentally (it's been in pre-production for several months, and was scheduled to start three weeks ago), but perhaps quite appropriately, the current Asadora is a Showa drama. It follows the heroine from the 1930s to the 1950s.

Showa dramas typically depict Japan (symbolized by the protagonist) struggling through the ashes of WWII to reclaim her place in the world. They're romanticizations, to be sure--not that exaggerated--of an era when everybody put their shoulders to the wheel.

It's an ethos and state of mind summed up in the verb ganbaru: "to persist, to hang on, to stick it out." You now see the volitional form on banners everywhere: Ganbarou! Japan (がんばろう!日本). Such as at the spring national high school baseball tournament.


Related posts

Asadora
Showa nostalgia
Sendai earthquake

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April 07, 2011

The new normal

I noticed late last week that Chief Cabinet Secretary Yukio Edano has started wearing a normal suit coat at press conferences. I guess that's one sign things are getting back to normal.

Normally, except for the news, TV Japan time-delays the NHK satellite feed so that shows come on at approximately the same time as in Japan. During the first week after the earthquake, the NHK feed was live, including the regularly-scheduled drama series.

Little by little, the normal program schedule is resuming. This week, Morning Market (a current affairs show, not a stock market show) is actually being broadcast in the morning, instead of late in the afternoon the day before.

The second season of Rinjou (臨場) resumed on Wednesday. It's a CSI-type police procedural about the investigators who conduct the in situ coroner's inquest,(1) meaning that every broadcast begins with at least one dead body.

"Normal" means going back to being entertained by fake dead bodies.

Though that gets me thinking about all the second unit possibilities here. Shows like NCIS, CSI: Miami and Bones are mostly filmed in Hollywood, with a second unit shooting on location with stand-ins.

Yes, it's macabre, but Sendai should open up a film office so Hollywood can come over and shoot all kinds of high-def second unit material to be blue-screened later. Heck, with all the story possibilities, you could do a whole season of NCIS just in Japan.

Making money off the travails of others--what's more normal than that?



1. To an almost creepily thorough extent, basically everything but the actual autopsy. In contrast, the practice in the U.S. is to "scoop and run": bag the body and the evidence and bring it back to the crime lab.

Taking the "CSI effect" into account, this is an odd product of the tension between culture and religion (especially Buddhism) and modern science when it comes to dealing with the dead.

Only recently did cadaverous organ donation even become legal in Japan, and only in 2009 did it become legal for parents to donate the organs of a minor. Cadaverous organ transplants remain few and far between.

Doing as much of the coroner's inquest at the crime scene--under the aegis of the police, whose authority is far more encompassing and unquestioned--is one way to tiptoe around these social problems.

The eccentric, brilliant and brooding (aren't they all) lead investigator is played by Seiyou Uchino, though I'd prefer to see more of the light touch he's shown in previous roles.


Related posts

Disaster fashion
Sendai earthquake (1)
Sendai earthquake (2)
Sendai earthquake (3)

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April 04, 2011

Fukushima fallout

Japan's most immediate infrastructure challenge (thinking in stark economic terms) is power generation. A friend in Japan relates that when asked what they need the most, the people in the Tohoku region (around Sendai) say, "Send electricity."

The Fukushima's forty-year-old reactors were scheduled for retirement, so once things stabilize, Tokyo Electric will probably install gas turbine generators. The one meme the talking heads have all agreed upon at this point is that the "nuclear renaissance" has been stopped in its tracks.

Personally, I'm a nuclear agnostic. In the U.S., natural gas is the best solution in the near and medium term (heck, we could export it to Japan), though coal will continue to dominate (most of Utah's power comes from coal) because it's so cheap and plentiful.

But a country like Japan has no real alternatives to nuclear if it wants anything approaching energy independence.

Even if solar and wind could the surmount the storage, transmission, and baseload power problems, Japan's geography and weather make them less than viable. Japan would be ideal for geothermal--if the huge gap between theory and application could be bridged and scaled up.

The current state of the art nuclear designs eliminates most of the problems revealed at Fukushima. If we abandoned every initially risky technology instead of improving it, most comforts of modern life would not exist, starting with the automobile.

We happily live with enormous risks when we really want something. Forty years ago, cars were death traps. In the U.S., traffic fatalities per million miles have dropped by more than half in that time. But cars still are death traps, the direct cause of 1.2 million deaths around the globe every year.

Chernobyl included, the mining and burning of fossil fuels causes more direct and indirect deaths than nuclear by several orders of magnitude. The psychological problem is that, like airplanes, the risk is concentrated, and the ability of the individual to control his own fate greatly diminished.

I know the feeling. I'm not afraid of flying, but I wouldn't live in the River Bottoms. When my mom was growing up, the River Bottoms north of Provo was rural farmland, so-called because when it flooded in the spring, the land was often covered by the Provo River.

The completion of Deer Creek Reservoir in 1941 put an end to the flooding, and now the River Bottoms is home to upscale McMansions and office parks.

The odds of Deer Creek Dam failing in my lifetime is about zero (though dams elsewhere have failed with horrendous results). But given the choice, I'd rather not have to think about it. That's the human animal for you: existential dread has become our postmodern fear of the dark.

As I said, I'm not emotionally vested in this fight, other than disapproving in general of political/industrial "solutions" at either end of the green spectrum that only survive through massive government subsidies. A government subsidy won't change the laws of physics or economics.

So the following prediction is made in the abstract: environmentalists who seize this opportunity vilify nuclear do so at their own peril. They will be admitting that the whole carbon emissions business is not that important, not apocalyptic, and the least frightening of their fears.

Nuclear paranoia will drag down all the overpriced and heavily subsidized "green" solutions with it. When Germany steps back from nuclear, count on it sneaking Eastern European coal and Russian gas through the back door. Ah, I love the smell of green hypocrisy in the morning.

A case in point is a proposed nuclear power plant near Green River, Utah. Emery County is already home to five coal-fired plants. It's where most of the electrical power in the state comes from. How badly to environmentalists want to replace them? Not that badly.

For me, at the northern end of Utah County, Green River (also known as "the middle of nowhere") is well out of my existential dread zone. So I sincerely don't care. But then I also don't lose one wink of sleep worrying about atmospheric carbon dioxide or "climate change" either.

You know people are serious about solving a problem when the solution switches from pie-in-the-sky hypotheticals (if Uncle Sam would only give them a big enough chunk of money or twist enough arms) to what's actually sitting on the table in front of them.

This is another example of how much environmentalists and religious dispensationalists have in common. However firm their belief in the cataclysmic end of the world, very few (thankfully) act on those beliefs, other than to fervently proclaim them. Because by faith are we saved.

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March 25, 2011

The p-wave network

Japan is blanked by p-wave detectors. During an earthquake, the primary (pressure) waves propagate faster than the destructive secondary (shearing) s-waves. Depending on the distance from the fault, the lead time can be up to a minute. This early warning system stops Shinkansen trains and scrams nuclear reactors.

All of the reactors at Fukushima scrammed during the Sendai earthquake. It was the latent heat that caused all the problems when the backup generators powering the cooling system were wiped out by the tsunami. A nuclear reactor is basically a big stove, and it stays hot for a long time after the power is turned off.

Japan's earthquake detector network functions like Watches/Warnings alerts from the National Weather Service. When the triggering threshold is reached, a graphic pops up on your television screen, identifying the location of the quake. A few minutes later, a graphic or text scroll lists the magnitude and the affected areas.


There's a cell phone app for that too. And Yahoo Japan (and other sites, I'm sure) pops up a banner with similar information. The television graphic is accompanied by this sound. The first couple of days after the Sendai earthquake, it happened so often I started to feel like one of Pavlov's dogs.

Related posts

Sendai earthquake (1)
Sendai earthquake (2)
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March 23, 2011

Renho

Speaking of jackets, here's Japanese cabinet member and former fashion model Renho (married name: Murata, but she goes just by "Renho," the Japanese pronunciation of her Chinese name; her father is Taiwanese) sporting a turtleneck combo.


Renho started her modeling career while in law school. Japan is famous for having far fewer lawyers per person than the U.S., the result not just of culture, but of an incredibly demanding law school admissions process and one of the world's toughest bar exams. In other words, she's a lot more than just another pretty face.

Renho currently has two ministries in her portfolio: "Consumer Affairs and Food Safety" and "Government Revitalization." Before the quake, she was known mostly for the latter.

She had been conducting hearings similar to the U.S. Debt Commission, and is a lot tougher than her American counterparts. In a famous exchange about Japan's supercomputer project with a bureaucrat who insisted that Japan had to "number one" in the world, she pointedly asked, "What's wrong with being number two?"

Her dead-pan delivery was even better, between the lines saying, "And the taxpayers should fund this little pissing contest of yours, why?"

When it comes to supercomputers, being "number one" is a title as ephemeral as a mayfly. Not to mention that, in GDP terms, Japan has twice as much structural debt as the U.S., and going to have tons more. Wherever Japan is headed fiscally after this, the U.S. won't be far behind. We should watch and learn.

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Disaster fashion
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Sendai earthquake (2)
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March 21, 2011

Disaster fashion

Watching NHK's earthquake coverage, I noticed that everybody in any kind of official capacity had shed the conventional suit coat and was wearing a jacket that identified his department or corporation or political party.

Once you figure out the jackets, it makes for a convenient visual shorthand, for example, to tell NISA (Japan's Nuclear and Industrial Safety Agency) and Tokyo Electric apart when they're holding competing press conferences.

On the left: NISA. On the right: Tokyo Electric.


Here's Yukio Edano, chief cabinet secretary (on the left). Everybody in the cabinet, including the PM, wears this jacket. Except for the defense minister, who wears the more martial civilian military leadership jacket.


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Sendai earthquake (1)
Sendai earthquake (2)
Sendai earthquake (3)
Renho

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March 18, 2011

Sendai earthquake (3)

With the aftershocks receding and Fukushima stuck in a FUBAR remake of Groundhog Day, NHK ran out of new news and has been running time-filling weather graphics and soothing background music all day (all night in Japan), with semi-regular programming scheduled to resume at three this afternoon with Good Morning Japan (6:00 AM in Japan).

So, let's discuss the semi-artistic angle.

The typical anime natural disaster serves to realign the social order in more "interesting"—libertarian—ways, such as creating a society where everybody's armed like in the Wild West. It's rarely framed in the more Christian "end-times" sense, and people adapt to the new order while seeking out new business opportunities, like battling evil robots and exorcising demons.

It's eerie but purely coincidental that I'm translating a fantasy series right now that begins with the destruction of Shinjuku by the "Devil Quake."

Japan went through a huge social upheaval in the mid-19th century, and a physical and existential cataclysm in the mid-20th century, so it's nothing new. As in those times, these events may lead to a welcome political realignment, providing an incentive, for example, to couple Japan's structural debt problem and reconstruction efforts with overdue austerity measures.

And perhaps the stark realities of actual suffering will put a deserved end to a recent, rather loathsome, flirtation with the angsty, sociopathic anti-hero. As Hiroki Azuma writes in the New York Times,

While many will revert [after the crisis passes] to their indecisive selves, the experience of discovering our own public-minded, patriotic selves that had been paralyzed within a pernicious cynicism is not likely to fade away.

I wouldn't be surprised to see a slew of dramas in coming years about the heroic nuclear plant worker struggling against all odds. The relatively minor 2008 Iwate-Miyagi earthquake has already produced a feel-good film about a bunch of brave puppies, valiant JSDF rescuers, and resourceful kids.

I think the most compelling future developments--the biggest opportunity for out-of-the-box thinking--will be tsunami hardening, how Japan prepares for the next "big one." The Patlabor series, for example, is premised on the building of a massive sea wall to protect Tokyo from rising oceans. This "can-do" fiction may yet turn into fact.

Related posts

Sendai earthquake (1)
Sendai earthquake (2)
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March 16, 2011

Sendai earthquake (2)

I've been watching NHK's live, wall-to-wall coverage since the earthquake. The images are truly overwhelming, with magnitude five and six aftershocks occurring across central Japan almost every hour. It's like a large china cabinet being slowly being dragged across a rutted road.

Human beings are ultimately powerless before the forces of nature, but human ingenuity can help to mitigate their effects and recover from them. Keeping your wits about you in the meantime certainly helps.

NHK's coverage is calm, cool and collected. The reporters, you know, report. In one of those "what the foreign press are saying" segments, they broadcast a lead-in clip from ABC News with Diane Sawyer. It sounded in comparison like a movie trailer for a Michael Bay blockbuster.

NPR's Morning Edition (my clock radio alarm) has managed to keep things fairly sober and balanced. My only complaint is the way they time shift makes references to "today" (meaning: yesterday in Japan) very confusing, when I'd watched what was happening "today" last night.

Amidst all the destruction, one amazing realization that comes from watching "Showa nostalgia" movies like Always: Sunset on Third Street is how quickly Japan recovered, not from the obliteration of one mid-sized city, but of every major population center in the country (except Kyoto).

The Marshall Plan in this case may be the $800 billion in U.S. Treasury securities that Japan currently holds. Despite running up huge structural deficits, they've wisely kept some money in the bank.

Nassim Taleb correctly argues that the best strategy for survival is to create systems robust enough to withstand the inevitability of the best predictions and forecasts, the most exacting theories and models, and the smartest experts being proved completely wrong.

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Sendai earthquake (1)
Sendai earthquake (3)

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March 14, 2011

Sendai earthquake (1)

The magnitude of 9.0 (revised) made it the biggest known earthquake to hit Japan in its recorded history.

The earthquake on Friday was preceded earlier in the week by dozens of five to seven magnitude deep-sea earthquakes in the same area, off the coast of Sendai. None of the tsunami forecasts at the time exceeded eighteen inches, and none of them reached even that height.

In this case, though, the boy cried wolf and the wolf came.

Read more »

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